Comic Seven: Death, 2 Ways

‘Ello road agents,

Today we debut the third chapter of the Satterwhite & Fosgrove saga. As you may remember, the first story introduced the characters and their mission: two Pinkerton Detective Agency operatives, tasked with hunting down and killing the notorious outlaw Jesse James are accused of stealing a treasure map from a wealthy Confederate family.

At the conclusion of that story the detective duo split up, which is why we find Fosgrove chasing a man through the forest in Chapter 2. This story shows us what Satterwhite has been up during the same timeframe: attempting to find the truth behind an apparent pair of suicides in Kansas City!

What you may notice upon reading the first page of “Death, 2 Ways” is that Satterwhite is in completely different attire from the last time we’ve seen them. They’re dressed in typical feminine garb, and are referred to as a female by other characters. We laid some of the breadcrumbs of this in the first comic but didn’t want to hit the reader over the head with it while setting up other story elements – Satterwhite is trans masculine.

Satterwhite & Fosgrove concept art

Of course, the term “trans masc” or the more in-depth idea of queerness didn’t really exist in 1879, so you will not see the character referred to as such within the work itself. Still, it’s undoubtedly true that LGBTQ+ folks have existed all throughout history, in every culture and every land, even if they’re contributions to society-at-large are not reflected in history books, or works of historical fiction. In the case of the Old West, an open frontier with room to roam was an extremely enticing place for cultural outcasts to live. Only a few such people, like Harry Allen and Joseph Lobdell are recorded in history, but it does not take much to assume many more were woven into the fabric of the American West.

Writing a queer lead is admittedly a heavy task, but frankly it’s no different than writing someone dissimilar to me in age, mentality, disposition, culture and so on. Research takes me part of the way, and empathy bridges the gap. Satterwhite is a character close to my heart, and it has little to do with their gender identity. Still, I want to do right by him, and intend to expound on the issue of “identity” in future stories.

I also need to use this space to once again shout out my collaborator Mauro Bueno. His skill in character and costume design, as well as portraying the many modes of human emotion has enabled and enhanced all aspects of the character. Mauro’s approach and ability has added a sublime simplicity to every nuance of the script. It’s been a dream.

All that and I didn’t even get into the story at hand – a neat, snappy murder mystery which begins to unfurl some of the spookier subplots of the overall S&F narrative. I’m confident you readers will like what we’re serving on this project, and we hope you can spread the word on your favorite cowboy detective story.

Until next time,

 

Westward!

 

~Jamil

Comic Five: Trees to Gold

My dear dastardlies,

When I started to build the idea of All-True Outlaw a prime goal was to adhere to the short form.

As a writer, especially one looking to breakthrough in the comics game, it is crucially important to finish the project one starts. To give the reader something digestible and complete. Anyone familiar with the medium of comics, or even the trade of storytelling, knows a novice can get mired in the allure of the epic tale. Worldbuilding is a fascinating and cathartic experience, and nearly every writer wants to create a place that a reader can get lost inside of. However, the likelihood of completing a grandiose, lengthy epic in comics is pretty unlikely. So, it’s vital to make sure what you’re doing, and what you’re trying to say, is coherently digestible. In so many ways, short comics are the way to go.

So naturally, upon completing the script for “Satterwhite & Fosgrove”, I pretty much immediately plotted the next handful of stories about these characters and where they would go next. I’m smart!

As you may remember from the first story, two Pinkerton agents were discovered by another bounty hunter in the uncultivated lands of rural Missouri. After some exposition drops detailing the duos’ chase for the notorious outlaw Jesse James, the three private detectives engage in a violent altercation, resulting in the death of the bounty hunter, which allows Kip Satterwhite and Robert Fosgrove to escape with a “map” stolen from a wealthy Confederate family.

This next comic, “Trees to Gold” follows Fosgrove as he chases a suspected criminal into the Kansan forest. It’s based, partly, on “Billy and the Bear”, a story my grandmother Josephine used to tell me as a child. Mauro Bueno once again draws this comic, and damn, he absolutely kills it at every turn. This is a dark story, from look to mood to actions, and Mauro executes the detective noir elements with adept skill and brains. Whether it be hushed stalking, or loud battles with beasts, every page is a brilliant example of the capabilities of comics and the collaboration process.

We also welcome back Nikki Powers on this story, and I can’t say enough about her efforts in lettering this piece. I have a tendency to go easy on dialogue in some portions of a story, and then backlog those precious words and sentences in another place. While that’s effective for the tension of plot and pacing, it can be burdensome on a letterer to make the talky parts work as they should. Nikki takes care of it, though, ensuring the ideas get across when I get too verbose in the word balloon area.

Editor Claire Napier continues to help mold the overarching Satterwhite & Fosgrove story, as well. From script clarity to the punching up of themes, her contributions are hidden but true. Risks are taken in “Trees to Gold” — something sinister is revealed at the end of this tale, and Claire has helped guide my vision and make sure Mauro and Nikki know exactly what should go on the page and where. I appreciate her astute eye and ear.

I am very eager for you all to read this story, which I consider one of the best things I’ve ever written. While we crafted it to be consumable and poignant in its current form, the plotlines, character moments and themes presented here will extend into more Satterwhite & Fosgrove stories, hopefully culminating in a satisfying longform piece.

If you enjoy what we’re doing here please be sure to follow us on the socials (Instagram, Bluesky and Facebook) and please forward the comics to anyone you think may be interested. Every share, like, comment and emoji extends reach and will spurn more art and more story.

Nice talking at you again! Be well.

Westward!

~Jamil